Preferreds/Bond Weekly Review: PennyMac Mortgage Preferreds Stay Fixed
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‘Making Marie Antoinette’ Review: Eleanor Coppola’s Chronicle of Daughter Sofia Shooting Her 2006 Biopic Makes for a Sublime Collaboration of Talents
Premiering at Telluride, the doc will be pure catnip for fans of the Kirsten Dunst-starring film in all its candy-colored, New Romantic, defiantly anachronistic glory.
‘Possible Love’ Review: Korean Master Lee Chang-dong’s Transfixing Meditation on Economic and Emotional Unease Is a Quiet Powerhouse
The 'Burning' director returns after an eight-year absence with this complex drama for Netflix, about the awkward commingling of two couples on either side of the wealth divide.
‘The Difficult Bride’ Review: A Haunted Bridal Parlor Drama with Untapped Potential
Venice: Rubaiyat Hossain’s drama about a taxing bride-to-be feels a little too easy.
‘Possible Love’ Review: Korean Master Lee Chang-dong Returns With a Beautifully Mature, Quietly Colossal Relationship Drama
One of the key moments from Lee Chang-dong’s last film, 2018’s “Burning,” still glows bright in the memory. A girl mimes eating a tangerine, and explains the knack for making it convincing: Don’t try to pretend there is a tangerine, try to forget there is not.
‘Possible Love’ Review: Two Married Couples Begin to Covet Each Others’ Lives in the Latest Stunner from ‘Burning’ Director Lee Chang-dong
Class conflict achieves vivid new dimension in this sprawling Netflix drama about the relationship between a rich documentary filmmaker and her blue collar subjects.
‘The Debut’ Review: Julianne Moore Shines in Jesse Eisenberg’s Story of Midlife Reinvention in Community Theater
Telluride: Paul Giamatti is the overbearing director to Moore's aspiring actress in a film that celebrates the small spaces that birth future stars.
Marques Brownlee: Google Pixel 11/Pro Review: Poker Face
1 points, 0 comments on Hacker News
‘Father Joe’ Review: Kiefer Sutherland Comes Out With All Guns Blazing In This Deliriously Violent Throwback Beat-’Em-Up – Venice Film Festival
Did you ever feel that King of New York could have done with a bit more Wing Chun? Did you ever think that John Woo’s films weren’t quite Catholic enough? That the siege of Troy might have been handled a bit more successfully if the Greeks had a bazooka?
‘The Debut’ Review: Julianne Moore and Paul Giamatti Are Dynamite Together in Jesse Eisenberg’s Entertainingly Offbeat Theater Comedy
Premiering at Telluride, the film follows a meek New Jersey housewife who gets cast in a local production headed by a domineering director, and then increasingly loses herself in the role.
Extract and Review Web Page Links Using a Bookmarklet
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‘A Tale of Two Cities’ Review: Kit Harington Has Done Far, Far Better Things Than This Bland MGM+ Dickens Adaptation
The 'Game of Thrones' star and François Civil fight for the affections of Mirren Mack in a new four-episode adaptation of the classic novel.
‘The Debut’ Review: Julianne Moore Is Astonishing in Jesse Eisenberg’s Funny and Dizzying Community-Theater Comedy
What holds it together is the suppleness of Eisenberg’s voice as a writer-director (the wit that singes, the story that never stops poking around corners), and the utterly astonishing performance of Julianne Moore, who plays a crumpled-up wallflower in dire need of blooming. Oh, does she bloom.
‘The Debut’ Review: Julianne Moore And Paul Giamatti Get Big Laughs In Jesse Eisenberg’s Hilarious And Even Sweet Look At Community Theatre – Telluride Film Festival
At times downright hilarious, at other times so farcical it nearly sails over the top, and at other times quite poignant, Jesse Eisenberg’s third time out writing and directing a feature film, The Debut, throws it all at the wall, hits its target most of the time, and serves up a complete delight...
‘The Illusion of an Everlasting Summer’ Review: A Photographer’s Portrait of Two Argentine Cousins Poignantly Captures the Passage of Time
Telluride: Alessandra Sanguinetti chronicles the shared and separate lives of Guillermina and Belinda from childhood into their mid-thirties.
GitHub Status – Disruption with Copilot Code Review
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‘Making Marie Antoinette’ Review: Eleanor Coppola’s Tender Documentary About Her Daughter’s Masterpiece Doubles as a Wistful Self-Portrait
Telluride: Two generations of women see each other through the years in this marvelous documentary cobbled together from 80 hours of "Marie Antoinette" set footage.
‘The Row’ Review: ‘Icarus’ Director Bryan Fogel’s Doc Takes Viewers on a Gripping, Question-Raising Solo Voyage Across the Pacific
This Telluride-bowing film is a portrait of Tez Steinberg, who dealt with his grief by embarking on two massive long-distance solo rowing expeditions.
Orbitals Review: The Perfect Couples Co-op Game for the Switch 2
Developer Shapefarm’s debut adventure doesn’t ever really break away from its classic anime inspirations, but that might just work in its favor.
‘Oasis: Don’t Look Back in Anger’ Review: An Uncharacteristically Polite and Sentimental Portrait of a Raucous Band and Phenomenon
The 2016 documentary “Supersonic,” focused on Oasis’ beginnings and incredibly fast rise to superstardom, made no mention of what was then the most salient fact about the Gallagher brothers: that from 2009, they were no longer on speaking terms.
PR review when everyone has LLMs
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‘Pete Townshend: Behind Blue Eyes’ Review: The Legendary Rocker Gets a Lively Doc That Asks: Who Are You? And Doesn’t Fully Answer It
The film centers itself on Pete Townshend’s contradictions, his growing pains, his turmoil, and his complexity as a human being and rock artist. And that’s all good. But given where it sets the bar, there’s too much that's left out.
‘Pete Townshend: Behind Blue Eyes’ Review: The Legendary Rocker Gets a Lively Doc That Asks: Who Are You? And Then Doesn’t Fully Answer It
The film centers itself on Pete Townshend’s contradictions, his growing pains, his turmoil, and his complexity as a human being and rock artist. And that’s all good. But given where it sets the bar, there’s too much that's left out.
SWE-Gate: Why Passing Tests Isn't Enough for Agent-Generated Code
Coding agents pass tests but fail code review. Repository-level benchmarks measure test passage but ignore review acceptance criteria. This is the blind spot in every benchmark from SWE-bench onward.