Against the rubble gray and stiff mahogany with which director May el-Toukhy washes out her post-Second World War Copenhagen, the pops of crimson in “Woman Unknown” announce a stark symbolism that’s about as subtle as the red swastika eventually smeared on the front door of protagonist Marie (Mat...
Source: [Variety](https://variety.com/2026/film/reviews/woman-unknown-review-1236853350/)