TIFF: Gonzo bloodshed and manic camerawork are the focus in this over-the-top crime caper set in the Japanese vintage underworld.
Source: [IndieWire](https://www.indiewire.com/criticism/movies/vintage-violence-review-eugene-kotlyarenko-1235216464/)
Hello Devs 👋 AI code review is getting pretty normal these days. You open a PR, an AI reviewer looks at the changes, and a few seconds later you have comments about bugs, security issues, missing tests, or things that could break. But this gets more complicated when you work in an enterprise en...
Scottish writer-director Tom Nicoll is unveling at Toronto his buzzy debut “Salvation. ” It tracks an aspiring online life coach whose attempt to reinvent himself and then sell that transformation to others pulls him in increasingly desperate directions.
Seven years after “Moving On,” Korean filmmaker Yoon Dan-bi returns with “The World Before,” a coming-of-age film about desire and first love. Speaking with Variety ahead of the film’s Toronto Film Festival Platform world premiere, Yoon discusses how capturing the authenticity of change worked i...
In “Masc,” director Bertil Nilsson pulls off a nifty trick: He observes an observer. Usually a film’s protagonist has the dominant POV, but here, Robin (Joshua Griffin) is trying to find his personality by observing other men in his orbit.
“Happily Ever After,” the follow-up feature from Taiwanese director Feng-i Fiona Roan, is bowing in the Toronto Film Festival’s Special Presentations lineup, arriving amid heightened attention following the success of her acclaimed debut, “American Girl.
Andoni Iraola may have had four new players added to his first-team squad in the summer but, it still feels like more deals need to be done. Some of his men obviously exited Anfield to make room for t...