Projects like London’s Backyard Biennial East are collective endeavours aiming to reach people who feel excluded by art galleries In 2018, on the outside wall surrounding the entrance of the National Theatre of Bangladesh, I first encountered a work by the artist Reetu Sattar . A group of musici...
Source: [Guardian International](https://www.theguardian.com/artanddesign/2026/aug/06/the-first-time-i-felt-art-in-my-nose-why-a-critic-missed-the-point-when-he-called-my-exhibition-meaningless)