Scottish writer-director Tom Nicoll is unveling at Toronto his buzzy debut “Salvation. ” It tracks an aspiring online life coach whose attempt to reinvent himself and then sell that transformation to others pulls him in increasingly desperate directions.
Seven years after “Moving On,” Korean filmmaker Yoon Dan-bi returns with “The World Before,” a coming-of-age film about desire and first love. Speaking with Variety ahead of the film’s Toronto Film Festival Platform world premiere, Yoon discusses how capturing the authenticity of change worked i...
In “Masc,” director Bertil Nilsson pulls off a nifty trick: He observes an observer. Usually a film’s protagonist has the dominant POV, but here, Robin (Joshua Griffin) is trying to find his personality by observing other men in his orbit.
“Happily Ever After,” the follow-up feature from Taiwanese director Feng-i Fiona Roan, is bowing in the Toronto Film Festival’s Special Presentations lineup, arriving amid heightened attention following the success of her acclaimed debut, “American Girl.
Six years ago, I left my home country, Mexico, and moved to New York, then to the UK. When I returned to Mexico, I realized how much I had changed.
The farmer becomes a Bigfoot-like creature roaming the countryside in this new big-screen installment of the hit Aardman Animations stop-motion franchise.